The Stryker / Slagle Band | Live at the Jazz Standard

Go To Artist Page

Recommended if You Like
Joe Lovano Michael Brecker Pat Martino

Album Links
The Stryker / Slagle Band GreatIndieMusic GroupieTunes Nexhit Tradebit Chondo PayPlay Apple iTunes Bitmunk

More Artists From
United States - NY - New York City

Other Genres You Will Love
Jazz: Bebop Jazz: Jazz Fusion Moods: Featuring Guitar
There are no items in your wishlist.

Live at the Jazz Standard

by The Stryker / Slagle Band

"Bebop, Blues, Ballads, and Boogaloo" - exciting live instrumental jazz from one of New York's leading guitar / sax quartets
Genre: Jazz: Bebop
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Sign up for the CD Baby Newsletter
Your email address will not be sold for any reason.
Continue Shopping
just a few left.
order now!
Buy 2 or more of this title and get 10% off
Share to Google +1

To listen to tracks you will need to update your browser to a recent version.

  Song Share Time Download
1. Mozone
Share this song!
8:16 $0.99
2. Boogaloo 7
Share this song!
7:44 $0.99
3. Doubleblue
Share this song!
7:07 $0.99
4. I Loves You Porgy
Share this song!
7:13 $0.99
5. The Great Divide
Share this song!
5:25 $0.99
6. Baba Marta
Share this song!
6:43 $0.99
7. Muddy Waters
Share this song!
8:18 $0.99
8. The Chaser
Share this song!
6:53 $0.99
9. Passing Giant
Share this song!
8:28 $0.99
Available as MP3, MP3 320, and FLAC files.


Album Notes
Dave and I have recorded a lot together, but this is our first live CD. It features almost all new music, and is our first with Ed Howard on bass and Victor Lewis on drums. At first we were going to use the Jazz Standard gig to work out the new material, and then go into the studio, but Dave called one day and said "Hey why don't we just record the two nights live?" So the rest is history, as they say.

All four one-hour sets had good moments to choose from, and the interaction with an enthusiastic audience raised the music to a higher level. With engineer Jon Rosenberg we were blessed with a man with ears, and the technical know-how to pull something like this off. The reason I say 'pull it off' is that Dave and I were playing new music, with the exception of the ballad "Porgy" and "Muddy Waters". Dave couldn't resist playing that with Victor! So the task of recording new music with a live audience, for two nights, was harder than you might imagine. As it turned out all the sets had good stuff including the first tune of the first night:

I wrote Mozone while Dave and I were on a tour in Japan last year. During a hot August afternoon in Tokyo, I went to the club we were playing (Someday) and this song just popped up between my alto and the piano. I dedicate it to our friend and club owner "Mou" Mori-San. We often open up with this song, as it's a burner, allowing the whole band to loosen up and play collectively.

Boogaloo 7 is a rhythm I first heard the great Billy Higgins play, usually in 4/4, yet I wrote this tune in 7/4. I can dance to it with my 6 month-old daughter, and it has that 'people music' vibe, one of my favorite moments on the record. Dave gets into his true down-home blues roots on this for sure!

I came up with Doubleblue as a duo with drums. Then I realized it was a 24-bar blues instead of 12. The way things go sometimes in life, you can feel doubleblue - right? This is classic Stryker / Slagle.

I Love's You Porgy is by one of my favorite composers, born in the East Village NYC, the most soulful place in the USA - George Gershwin. Dave and I worked up this arrangement and play it whenever the mood hits us.

The Great Divide - this Stryker composition is a vehicle for Victor Lewis, which also allows for Dave and me to get into some of our best collective playing. One thing we have developed by playing many years together is our own way of soloing at the same time. On this take I think you can hear that - at one moment it's hair-raising. Luckily I have a shaved head!

Baba Marta has a funny background. I came up with it while driving my four year-old daughter and singing with her. (She's a good singer!) Then I went to the piano and found out we were in 6/4. So after a bass line, harmony, and a bridge came forth, I found it had a Brazilian vibe that fit my soprano sax sound. It only needed a guitar intro which Dave came up with - very slick! The day we recorded it, it was "Baba Marta", a holiday in Bulgaria, my wife's home country, a very positive 'new spring' kind of day.

Muddy Waters is one of Dave's great blues compositions. Dave's guitar intro really sets it up, but then takes you to the blues future. It's in E which guitarists love and saxes hate - but I've learned to dig it. Check out Victor Lewis on this - he is the drummer for this song - all praise!

The Chaser - his Stryker burner employs the guitar-sax / two voice kind of sound we like to get. It's form keeps moving and with help from our rhythm section of Ed and Victor, Dave and I can just ride the wave.

I wrote Passing Giant upon the passing of one of my greatest inspirations- Elvin Jones. Ed Howard's intro should be transcribed by every bassist on the planet! Within this take you can hear us quoting quite a few times in homage to the masters. Composition-wise I'm really pleased how this one came out, and I think Elvin and his music are still with us!

So, on behalf of the Stryker / Slagle Band, I hope everyone can get into this, our first live recording, from a great venue in NYC - "The Jazz Standard" which BTW has some of the best barbeque ribs in town... Yes, hear that sound!
Steve Slagle

Guitarist Dave Stryker's and saxophonist Steve Slagle's musical partnership goes back close to 20 years. Their unique group sound has been documented on several albums, but this is their first live CD.

Guitarist Dave Stryker has released 18 CD's as leader and spent 13 years recording and touring with sax great Stanley Turrentine, as well as stints with Jack McDuff, Kevin Mahogany, Eliane Elias and many others. He has appeared on over 50 CD's.

Saxophonist Steve Slagle has released 10 CD's under his own name and performed as a sideman on countless others. He has played with Machito, Lionel Hampton, Jack McDuff, Ray Barretto, Charlie Haden, Carla Bley, Milton Nascimento, the Mingus Big Band, and Joe Lovano's Nonet.

Much in-demand bassist Ed Howard was the bassist in drum legend Roy Haynes' quartet for 15 years, and has played on over 50 recordings. He has performed with Clifford Jordan, Eddie Henderson, Wayne Shorter, Bob Berg, and many others and is currently the bassist in Shirley Horn's trio.

Victor Lewis besides being one of the greats on drums, is a leader/composer with 7 CD's under his own name. He has worked with Woody Shaw, Dexter Gordon, Stan Getz, and Sonny Rollins.

Produced by Dave Stryker and Steve Slagle. Associate Producer : Jim Eigo. Executive Producer : Joachim Becker Recorded March 2-3, 2005 live at the Jazz Standard, NYC. Recorded, mixed and mastered by Jon Rosenberg. Cover photo : Jimmy Katz Other photos - Sergio Royzen. Package Design : Three and Co., New York (


to write a review

Rotcod Zzaj, aka Dick Metcalf

H-O-T & smokin'
The Stryker/Slagle Band - LIVE AT THE JAZZ STANDARD: Live jazz recordings, when done well (in the sense of recording techniques) are the best, no doubt... & this CD is a perfect example of that! Besides Dave Stryker (guitar) & Steve Slagle (soprano saxes), the album features Ed Howard (bass) & Victor Lewis (drums). The music, nearly all original, was culled from 4 one-hour sets that just kick! As most of you know by now, I greatly prefer CD releases that feature original music, 'specially when it's new & never heard before. The funkiest trak (for my ears) was "Boogaloo 7", cut 2... this kinda' beat takes me back to my earliest listens to jazz greats like Eddie Harris & Les McCann... truly great energy & well composed FUN for the listener (& for the players, too, I'd imagine). On the next round, hope they'll record with a program that includes the titles, times, etc., on the CD itself... it's much easier to acquaint oneself with the tracks if you can look at the CD while it's playing to get that info (without having to consult the CD cover. That's only a minor complaint, though, as it's the spirit th' music is played in that makes it a genuine HIT for this listener. I'd say you otta' keep your ears on these guys... they'll be 'round for a while. I give this a MOST HIGHLY RECOMMENDED for jazz aficionados of all flavor. Get more information, or purchase the CD, at Rotcod Zzaj