Rachel Talitman, Benjamin Braude, Myriam Czaja, Nathan Braude,Gilad Kaplanski | Marie Martin Marcel Vicomte de Marin

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Classical: Classical era Classical: Traditional Moods: Type: Instrumental
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Marie Martin Marcel Vicomte de Marin

by Rachel Talitman, Benjamin Braude, Myriam Czaja, Nathan Braude,Gilad Kaplanski

Founder of the French School of Harp, his methods and techniques were used by generations of players and composers.
Genre: Classical: Classical era
Release Date: 

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1. Nocturne En Quintett Op. 14: I. Introduction-Adagio, Allegro Rachel Talitman, Benjamin Braude, Myriam Czaja, Nathan Braude,Gi
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8:29 album only
2. Nocturne En Quinttet Op. 14: II. Minuetto Rachel Talitman, Benjamin Braude, Myriam Czaja, Nathan Braude,Gi
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3:42 album only
3. Nocturne En Quinttet Op. 14: III. Cosaque En Rondeau Rachel Talitman, Benjamin Braude, Myriam Czaja, Nathan Braude,Gi
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4:58 album only
4. Deux Trios Sur Des Themes De Mozart: I. Andante Grazioso Rachel Talitman, Benjamin Braude, Myriam Czaja, Nathan Braude,Gi
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4:44 album only
5. Deux Trios Sur Des Themes De Mozart: II. Allegretto à La Turca Rachel Talitman, Benjamin Braude, Myriam Czaja, Nathan Braude,Gi
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4:29 album only
6. Deux Trios Sur Des Themes De Mozart: III. Adagio Rachel Talitman, Benjamin Braude, Myriam Czaja, Nathan Braude,Gi
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7:09 album only
7. Deux Trios Sur Des Themes De Mozart: IV. Allegretto Con Variazio Rachel Talitman, Benjamin Braude, Myriam Czaja, Nathan Braude,Gi
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11:01 album only
8. Nouvelles Grande Sonate Op. 31: I. Introduction Adagio Allegro M Rachel Talitman, Benjamin Braude, Myriam Czaja, Nathan Braude,Gi
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11:58 album only
9. Nouvelle Grande Sonate Op. 31: II. Andante Rachel Talitman, Benjamin Braude, Myriam Czaja, Nathan Braude,Gi
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7:35 album only
10. Nouvelle Grande Sonate Op. 31: III. Rondo Rachel Talitman, Benjamin Braude, Myriam Czaja, Nathan Braude,Gi
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6:58 album only
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ABOUT THIS ALBUM


Album Notes
Marin Marie-Martin (1769-1861)

Founder of the French School of Harp, his methods and techniques were used by generations of players and composers. His students included Charles Nicolas Robert Bochsa (1789-1856), who was a professor of harp at London's Royal Academy of Music and Théodore Labarre (1805-1870), who was a professor of harp at the Paris' Conservatoire.

Born in Saint-Jean de Luz, his parents began teaching music to him by the time he was four years old. By seven, he already composed a piano concerto. He traveled to Italy where he studied violin under Nardini, who got to consider him his best student and with whom he made much progress thanks to his great organizational skills. On his return to France, he took harp lessons from Hochbrucker; however, upon realizing that plenty of ideas came to him on their own, he soon decided he would no longer have any other teacher but himself.


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