Lynette Tapia & John Osborn | L'amour consacré (Devoted love)

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JohnOsborn.com Official Website

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Classical: Opera Classical: Vocal Music Moods: Type: Vocal
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L'amour consacré (Devoted love)

by Lynette Tapia & John Osborn

Recommended for people who enjoy listening to a good tenor and soprano singing together. The french styles are so beautiful to listen to.
Genre: Classical: Opera
Release Date: 

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Tracks

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1. La Fille du Régiment: Act I - Quoi! Vous m\'aimez
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7:28 $0.99
2. La Fille du Régiment: Act I - Ah! mes amis... Pour mon âme
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4:04 $0.99
3. La Fille du Régiment: Act I - Il faut partir
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5:40 $0.99
4. Lakmé: Act I - Fantaisie aux divins mensonges
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5:11 $0.99
5. Lakmé: Act I - C\'est le dieu de la jeunesse
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7:17 $0.99
6. Lakmé: Act II - Où va la jeune Indoue
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8:09 $0.99
7. Roméo et Juliette: Act II - Ah! lève-toi, soleil
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4:21 $0.99
8. Roméo et Juliette: Act I - Ah! je veux vivre
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3:35 $0.99
9. Roméo et Juliette: Act IV - Nuit d\'hyménée
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11:51 $0.99
10. Manon: Act II - Adieu, notre petite table
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4:12 $0.99
11. Manon: Act II - C\'est lui (Recit.)
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1:49 $0.99
12. Manon: Act II - En fermant les yeux
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2:56 $0.99
13. Le Roi malgré lui: Act III - Il n\'est plus horrible...
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5:27 $0.99
14. Le Roi malgré lui: Act III - Chère Minka... Pour goûter...
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4:33 $0.99
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ABOUT THIS ALBUM


Album Notes
American tenor John Osborn and Bolivian American soprano Lynette Tapia, have made numerous appearances together in opera and concert. Both of them at very early ages began what most would call extremely fortuitous and very illustrious singing careers. Lynette won nearly every prestigious operatic and classical vocal competition in 1996 including First Prize in the George London Vocal Competition, Licia Albanese Puccini Foundation Competition, Metropolitan Opera National Council Auditions, and Placido Domingo's Operalia Vocal Competition. John was also a winner of the Metropolitan Opera National Council Auditions in 1994 and actually tied for First Prize in Domingo's Operalia Vocal Competition along with Lynette in 1996. Both singers, having been gifted with very high voices, flexibility, and technique reminiscent of the bel canto style of singing. This technique of singing was reinforced by the vocal instruction of the late Edward Zambara, with whom they both studied voice. Their particular abilities led them to be cast in numerous Donizetti, Bellini, and Rossini bel canto roles, along with many Mozart roles, and both have delved into the French repertoire as well. Lynette has continued to specialized in a wide variety of classical song recitals, concert appearances with important symphony orchestras, as well as numerous operatic appearances. John has maintained a career consisting mostly of operatic performances, numerous concert appearances, and occasional classical song recitals.


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