Taylor Haskins | Wake Up Call

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Jazz: Weird Jazz Jazz: Traditional Jazz Combo
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Wake Up Call

by Taylor Haskins

Adventurous, exploratory new hybrid-jazz from the lead trumpet player with Dave Holland's Grammy™-winning big band, featuring Ben Monder, Ben Street, Jeff Hirshfield, Guillermo Klein, and others.
Genre: Jazz: Weird Jazz
Release Date: 

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1. You Have Everything You Need
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3:57 $0.99
2. Equal Being
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5:34 $0.99
3. Dream With You
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3:11 $0.99
4. Hecuba
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5:47 $0.99
5. Nadar
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3:33 $0.99
6. Nomads
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3:47 $0.99
7. Parking Lots
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4:02 $0.99
8. Please, Be Quiet, Please
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4:12 $0.99
9. Wake-up Call
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2:19 $0.99
10. Oooga Booga
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3:58 $0.99
11. Precipice
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4:46 $0.99
12. Live Free or Die
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3:46 $0.99
13. Lost Poem
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4:39 $0.99
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ABOUT THIS ALBUM


Album Notes
ALLABOUTJAZZ.COM REVIEW:
Some big thinking is evident here, but not of the traditional jazz type. Trumpeter Taylor Haskins obviously takes compositional inspiration from rock, film and electronic music, as well as jazz. Not the first player of his generation to do so, he's brought some like-minded friends along.

”You Have Everything You Need” begins in the Latin-epic arena, with guitarist-extraordinaire Ben Monder's strumming setting off Haskins, saxophonist Andrew Rathbun and violinist Regina Bellantese's unison theme. The tune calls for wide-spanned, lightning quick arpeggiation on guitar, so it's lucky Ben's handy. In consonantly cacophonous fashion, the band rides a wave of harmony set up by pianist Guillermo Klein, setting up “Equal Being,” a ballad having little to do with conventional jazz vocabulary and more to do with mood and repetitive snippets of melodicism. Often the bass doubles the piano line, only to then set it off for Haskins' muscularly lyrical solo. Rathbun's big-toned solo statement powerfully echoes Haskins' idea, after which they fittingly blow in unison. The overall effect is more powerful than the sum of its parts-epic rock balladry meets the jazzbo set.

This all leads to “Dream With You,” a more full-on pop trip featuring a Radiohead-like intro into a drum'n'bass feel, complete with laptopisms from Haskins, featuring female vocals by Aubrey Smith that serve a more atmospheric than content-driven function. This is certainly unlike anything previously issued on the FSNT imprint - in a good way! I really like what happens when the vocal drops out and Monder makes a super-clean-toned jazzy rock guitar statement over a Soul Coughing-like rhythm track. On this date, Ben goes a long way toward proving he's the most likely guitarist to fill in for Jonny Greenwood on a sick day.

The cruising “Nomad” sets up “Parking Lots,” another pop song, this time with deep Björk references. Theremin intros the tune to it's usual spooky effect, yielding to unison “strumming” by piano and guitar. Monder paints harmonic scenery for sensual vocals, a paragraph drenched in the poetry of dual-relationships, ceding to beautiful dual wordless vocalizations with trumpet.

Like the Bad Plus and other lesser-known jazzers, including Plus members and fellow FSNTers Ethan Iverson and Reid Anderson, Haskins' work tinkers with jazz forms, mingling them with rock ideas. These artists are forging something new, compelling and ear-grabbing having more to do with mood, hook and atmosphere than key centers, reharmonization and scale substitutions. The influence of artists like Radiohead and Björk, simply the most pervasive influences on current popular music, resonates profoundly on Haskins' improbably impressive debut, wherein traditional forms are discarded and the beauty of new forms revealed. - Phil DiPietro


Reviews


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hanyi ishtouk

Poignant and ironic modern jazz vignettes
with some avantgarde-ish infusion and moody melody hooks. Eclectic trumpeter/composer Taylor Haskins' debut record is by no means a blowing contest - despite the fact that he pairs up with Andrew Rathbun on tenor and soprano saxes (also featured on "Metaview", 2006 FreshSound NewTalent) - but more about creating atmosphere while retaining form.
Regina Bellantese's folksy violin is a welcome addition on many tracks (#1, 4-6, 8, 10-13). The opener 'you have everything you need' has an Argentinian overtone that could as well have come from Charlie Haden's Liberation Music Orchestra. Prior to writing this review I hadn't known the minimalist pianist for this project hailed from Argentina, although was aware Haskins and guitarist Ben Monder shared the bandstand with Guillermo Klein in the ensemble Los Guachos.

As for the mindset and/or emotional context evoked: eeriness suffuses #8 'please be quiet, please', the slightly vaudevillian #10 'ooga booga' and the shady #11 'precipice', this latter one having urgent crescendo refrains before resolving into gentle interaction led by soprano saxophone. The influence of art/alternative rock in the vein of, say, Elysian Fields, and modest electronica seeps in on tunes like #3 'dream with you' and #7 'parking lots', both featuring brief improvised lyrics by vocalist Aubrey Smith.
On a more subdued note, we have the laid back #2 'equal being' and the melancholic #4 'hecuba' with tasty horns, in addition to the waltzing lullaby #12 'live free or die' and the desolately echoing closer #13 'lost poem'. The curt title track #9 'wake-up call' sports a simple hardbop theme over a fat and agile bass line being reinforced by Yusuke Yamamoto's percussion. Total time: 53.37 min.
The core trio of Monder, double bassist Ben Street and drummer Jeff Hirshfield, reappears on the trumpeter's third release, "American Dream" (2010 Sunnyside).