Green Mountain Project | A Grand Festive Vespers In Venice, C. 1640

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Classical: Early Music Classical: Baroque Moods: Type: Live Recordings
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A Grand Festive Vespers In Venice, C. 1640

by Green Mountain Project

The Green Mountain Project marked their third anniversary by presenting a newly constructed Vespers by the project’s music director Scott Metcalfe drawing from works by Claudio Monteverdi, Giovanni Gabrieli (in honor of the 400th anniversary of his death)
Genre: Classical: Early Music
Release Date: 

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Tracks

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1. Prelude: Canzon Septimi Toni
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3:16 $0.99
2. Versicle/Response: Deus In Adjutorium / Domine Ad Adjuvandum
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2:37 $0.99
3. Psalm 109: Dixit Dominus
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8:27 $0.99
4. Motet: O Quam Pulchra Es
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5:32 $0.99
5. Psalm 112: Laudate Pueri A 6
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5:53 $0.99
6. Motet: Sancta Maria, Succurre Miseris
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3:39 $0.99
7. Psalm 121: Laetatus Sum
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6:36 $0.99
8. Motet: Exultent Caeli
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3:55 $0.99
9. Psalm 126: Nisi Dominus
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8:51 $0.99
10. Motet: Salve O Regina
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6:04 $0.99
11. Psalm 147: Lauda Jerusalem
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6:57 $0.99
12. Motet: Maria Virgo
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4:34 $0.99
13. Canzon Noni Toni
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2:51 $0.99
14. Antiphon To The Magnificat: Conceptio Tua, Dei Genetrix Virgo
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1:33 $0.99
15. Magnificat
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7:10 $0.99
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ABOUT THIS ALBUM


Album Notes
The Green Mountain Project (honoring the literal translation of Monteverdi’s name) is a special project of TENET. TENET is one of New York’s preeminent vocal ensembles. Under artistic director Jolle Greenleaf, TENET is winning acclaim for its innovative programming, virtuosic singing and command of repertoire that spans the Middle Ages to the present. TENET features distinguished soloists who shine in one-voice-to-a-part singing and as joined voices in small ensembles.

Press for "A Grand Festive Vespers in Venice, c. 1640."

"The singers and players produced a glorious, smoothly blended, beautifully textured sound. [...] Highlights were plentiful." New York Times.

"The performance itself was truly outstanding, as the performers displayed technical skill and musical artistry of the highest caliber. (…) The consistently high level of artistry makes it difficult to point out the high points." Boston Musical Intelligencer.

"A stupendous performance. (…) Blue Heron sings with the tongues of men and women rather than angels, and that’s also true of GMP. (…) The audible interplay of voices with the variously deployed instrumental forces – two cornetti, five sackbuts, three violins, two theorbos, and organ – was a continual delight." Boston Globe.

"Green Mountain Project’s performance was music making at its best, historically informed, musically revealing, and sensitively and energetically performed—one could not ask for more. (…) What made this performance a one-of-a-kind occasion was the superb musicianship of all participants. The least of the singers was excellent, and there were moments of great artistry (…)." The Arts Fuse.


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