Tracy Morrow | Morning Is the End of the Day

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Folk: Alternative Folk Country: Alt-Country Moods: Mood: Brooding
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Morning Is the End of the Day

by Tracy Morrow

A stark, solemn collection of acoustic ballads for fans of of lonely back-roads, cheap whiskey, and maybe a little Leonard Cohen/Neil Young.
Genre: Folk: Alternative Folk
Release Date: 

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Tracks

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1. Olcott Beach
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5:50 $0.99
2. Under the Bridge in the Deep Woods
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5:23 $0.99
3. New Jerusalem Road
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4:15 $0.99
4. Medicated Stare
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5:54 $0.99
5. It's Your Birthday
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4:24 $0.99
6. A Matter of When
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4:47 $0.99
7. Weary Traveler
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4:22 $0.99
8. Let Me Into Your Heart
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1:40 $0.99
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ABOUT THIS ALBUM


Album Notes
The story behind Morning Is the End of the Day is one of those perfect Buffalo tales. It goes like this: You’re sitting in a divey rock club, enjoying the music, the crowd and the constant replenishment of cold bottles of Canadian in your hand. The friendly bartender with the bushy beard that’s been on-the-spot with those cold drinks all night? Turns out he’s a fucking brilliant songwriter. With his late band Barrel Harbor, singer/songwriter Bill Nehill used to stalk and stomp the stage in a frothy, quaking fit of rock’n’roll brilliance. Putting that particular idiom aside for a moment, Bill has been playing legendary solo acoustic shows at the area’s better music venues (and frequently contributing to Artvoice) as Tracy Morrow for the past couple of years. The music of Tracy Morrow cuts deep—handsaw-against-your-forearm-bone-deep. It’s music for bleary-eyed, dissatisfied, sad-sack, dancing-with-alcoholism grumblers. Take “New Jerusalem Road,” a song about a man watching his ex-girlfriend with her new boyfriend at Christmas with her family and chew on these sample lyrics: “In this lonely apartment/You can smell desperation/Well, it comes from the food in the sink/That’s long-since decayed.” The first reaction to hearing this is, “Jee-ZUS.” After sinking in a moment, the reaction becomes, “Shit, I been there.” Moments later, your reaction consists of looking at the track listing, seeing a song called “It’s Your Birthday” coming up, and thinking, “This ain’t gonna to be good.” The whole record is filled with more self-critical honesty than you can probably handle, but is told so gently and truthfully that peering into this particular, harshly lit mirror is worth the experience. The music is somewhat minimal, too many syllables are sometimes crammed together in one line and there’s the habit of starting too many lines with, “Well, I…”—however, these are minor quibbles. The emotional content of Morning Is the End of the Day is unquestionable, and Tracy Morrow has created a completely new way to describe our particular corner of time and space.


Reviews


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Cassandra Pollock

Down to the Bone Honesty
When I first put this CD on getting to the end of it was not easy. I wanted to turn it off because of the hopelessness and loneliness expressed by the songs. This is about as emotionally bare as songs can ever get. It brings to mind Townes Van Zandt. Songs from the perspective of the abuser or the abused. Meditations on the inescapeability of memories, as you'll hear here - when you can't ever escape them even good memories become steel jaw traps.

Though the songs are disarming I am listening to these serious songs by choice now. The writing is excellent. The guitar accompaniment is basic and spare bringing the quiet, confessional nature of the lyric to the fore. On the strength of this album I'll be definitely seeking out Tracy Morrow's second CD.

One of my favorite lines on the CD "..the lifeguard has gone off duty he does not come out for the dark or the rain." Dark is what you're getting here. Stories of how one's spirit can crash when life offers no safety nets or rewind buttons.