Trey Gunn | One Thousand Years

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United States - Washington

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Electronic: Ambient Rock: Progressive Rock Moods: Type: Experimental
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One Thousand Years

by Trey Gunn

Recorded inbetween tours with David Sylvian and Robert Fripp, One Thousand years is dense, undulating pools of experimental funk, ethno-trance, mysterious vocals, and dreamy eloquence.
Genre: Electronic: Ambient
Release Date: 

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Tracks

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1. The Night Air
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2:59 $0.99
2. The Screen Door and the Flower Girl
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5:20 $0.99
3. Killing for London
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6:31 $0.99
4. Real Life
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6:28 $0.99
5. Into the Wood
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7:11 $0.99
6. The Gift
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3:37 $0.99
7. Take This Wish
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6:02 $0.99
8. One Thousand Years
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4:56 $0.99
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ABOUT THIS ALBUM


Album Notes
***CURRENTLY OUT OF STOCK UNTIL REMASTERED, RE-ARTWORKED AND RE-PRESSED. GO FOR DIGITAL DOWNLOADING FOR NOW.***

Trey Gunn’s debut solo album. Recorded in between tours with David Sylvian and Robert Fripp.

Musicians:

Trey Gunn - Stick, Voice
Serpentine - Voice
Bob Muller - Tabla, Percussion, Drums
Pat Mastelloto - Drums on track 3
Xan - Additional voice on tracks 4 & 7

"Trey's solo album, One Thousand Years -- an enticing parfait of noir,atmospheric Stick leads and pulsing Stick bass, mysterious vocals, drums,and percussion loops -- provides an excellent indication of the instrument's
potential." -- Andy Ellis, Guitar Player

"One Thousand Years is an aggressively atmospheric solo album" -- Darren Ressler, Guitar for the Practicing Musician

"On One Thousand Years Gunn displays a keen sense of melody and a desire to create borderless, pan-worldly music. ... though it's mostly a quiet,introspective release, relying extensively on soft hypnotic percussion, Gunn lets loose with some steely, savage-sounding distorted Stick.
-- Max MacDonald, Impact Magazine


"The sheer dramatic imagery and silky textures hint at both a potent new composer on the progressive ethnic-rock plane and a musician who has absorbed more than his fair share of Rain Tree Crow and David Sylvian. Equally amazing is that these dense, undulating pools of experimental funk, ethno-trance and dreamy eloquence were performed on a minimalist bed of Stick, tablas/percussion and occasional voice." -- Darrel Bergstein, I.E. Magazine


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