Ulli Bögershausen | Christmas Carols

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Holiday: Easy Listening Kids/Family: Lullabies Moods: Mood: Christmas
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Christmas Carols

by Ulli Bögershausen

Twenty international Christmas-songs for fingerstyle guitar played and arranged by Ulli Bögershausen.
Genre: Holiday: Easy Listening
Release Date: 

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Tracks

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1. First Noel
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1:58 album only
2. Alle Jahre Wieder
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1:41 album only
3. Morgen Kinder Wird`s Was Geben
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1:52 album only
4. Ihr Kinderlein Kommet
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2:18 album only
5. Kommet Ihr Hirten
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1:34 album only
6. Hark! the Herald Angels Sing
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1:38 album only
7. Es Ist Ein Ros Entsprungen
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2:28 album only
8. God Rest Ye Merry Gentlemen
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2:24 album only
9. Leise Rieselt Der Schnee
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1:49 album only
10. Lulajze Jezuniu
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2:11 album only
11. Stille Nacht
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2:58 album only
12. Oh, Du Fröhliche
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2:33 album only
13. Zu Bethlehem Geboren
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1:30 album only
14. Entre Le Boeuf Et L’ane Gris
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2:09 album only
15. Maria Durch Ein Dornwald Ging
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1:54 album only
16. Lullay Lullay - Coventry Carol
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2:06 album only
17. Carol of the Bells
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2:57 album only
18. Les Anges Dans Nos Campagnes
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2:31 album only
19. Tu Scendi Dalle Stelle
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3:19 album only
20. We Wish You a Merry Christmas
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2:03 album only
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ABOUT THIS ALBUM


Album Notes
Styles may come and go, but good music will weave its ageless magic no matter what the current fad. Ulli Bögershausen is a guitar wizard with a truly remarkable craft at his command. He possesses a gift for making time stand still. And while the moment lingers, his solo guitar playing paints pictures upon the very soul of his audience – inobtrusive, yet unforgettable; vignettes glowing with the serenity of a day in late summer, a slight melancholy blended wonderfully with a mediterranean joy of living in a steady dance-like flow of notes in the air of an endless blue September day.

After more than twenty years of performing and recording, the seasoned German guitarist can boast stacks of rhapsodizing concert reviews from newspapers and magazines anywhere between Los Angeles, Bonn, and Taipei. He has held audiences spellbound at guitar festivals in the U.S.A. and in the concert halls of Japan, Taiwan, Korea and most recently China. His playing has been called “breathtaking in its intertwined harmonies and its unfailing timing”, his performances have been considered “as if from a fairy tale”, and his albums have been regarded as models of “sensitive string wizardry” and of “guitar music for the 21st century”.

Steeped in the tradition of the folk guitar, but constantly refined by his classical studies, Bögershausen’s playing continues to leave the audience with the best of both worlds. A breezy lightness pervades everything, tastefully balanced by an almost classical sense of formal depth and compositional coherence. Ulli Bögershausen has taken his time to develop a style all his own, quietly incorporating state-of-the-art skills, styles, and techniques all the while.

As a result, Bögershausen not only plays two or more independent lines at the same time, but also manages to give each line its distinct voice as if a complete orchestra were at work. His crystal-clear single-note runs make the 32nd notes sparkle intensely like effervescent water. Like legendary John Renbourn, Ulli Bögershausen has given the steelstring guitar an unheard-of sound of effortless elegance, whose liveliness owes little to the strict classical guitar ideal of tone.

His international breakthrough, 1995’s landmark album “Ageless Guitar Solos”, deftly summarizes more than 30 years of fingerstyle guitar, easily matching original renditions by the likes of Leo Kottke and Alex DeGrassi in terms of feeling and virtuoso performance.

In his mostly balladlike original compositions, Ulli Bögershausen never seems to run out of surprising and intriguing melodic inventiveness. Executed with an airy charm and yet with the devotion of a real pro, Bögershausen’s pieces are accessible enough to make for instant listening delight, while crafted sufficiently complex to yield discoveries with each new encounter.


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