Under The Radar | I Was There, I Traveled, But I Can't Remember When'...

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Album Links
Apple iTunes My Blog about this project Richard Souther on Facebook Official Richard Souther Website Film Interpretations 3 Film interpretations 1 Film Interpretations 2

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United States - Utah

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Electronic: Ambient Electronic: IDM Moods: Type: Soundtrack
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I Was There, I Traveled, But I Can't Remember When'...

by Under The Radar

Ambient meets IDM textures to create a beautiful imaginary soundtrack.
Genre: Electronic: Ambient
Release Date: 

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Tracks

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1. The Little Woodland Robots
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2:42 $0.99
2. Cue the Sun!
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4:13 $0.99
3. March of the Doves
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4:00 $0.99
4. Anagram Cereal
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3:03 $0.99
5. Air Raider Interlude
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1:54 $0.99
6. I Was There, I Traveled, But I Can't Remember When'...
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2:26 $0.99
7. We Can Resonate
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3:23 $0.99
8. Clockwork
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4:35 $0.99
9. Going Home
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6:03 $0.99
10. Katherine the Great
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2:47 $0.99
11. Imaginary Carousels
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3:07 $0.99
12. Doppler Shift
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2:00 $0.99
13. Motet Terra
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3:04 $0.99
14. Tethering of the Heart
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3:42 $0.99
15. When You Dream
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3:26 $0.99
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ABOUT THIS ALBUM


Album Notes
***Hi everyone! Regarding the CD's of all my projects: I have no more plans to reduplicate them. They will always be downloadable. But... if you want the "physical CD", there are a few left of each.
Thank you for all your support through the years!~Richard (aka Under The Radar)




"I was there, I traveled, but I can't remember when." Somewhere between Ray Bradbury's "I Sing the Body Electric" and Philip K. Dick's 'Do Androids Dream of Electric Sheep?" there hides a compelling soundtrack waiting to be unearthed. This could very well be that soundtrack. Chaos Theory, Fuzzy Logic and The Black Swan jam to the The Impact of the Highly Improbable. This is not to suggest by any stretch of the imagination that this new music from Under The Radar's Richard Souther is not accessible. Quite the opposite! At moments I found it to be cerebral yet highly emotional and quite beautiful. Plus... it glitches and grooves like a mad hatter at certain points in the musical journey.
If you enjoy Björk's creative instrumentation's, the musical passion of an Ulrich Schnauss or the wonderful inventive quirkiness of Opiate or Kettel, you'll love this CD!

BTW: If you go to:
http://www.richardsouther.com/default.htm?p=films.htm&s=-1
You can see some beautiful visual interpretations of three of the songs on this CD created by film maker Joaquin Montalvan.

About Under The Radar (aka Richard Souther)

Grammy nominated artist Richard Souther is a composer, producer, arranger, sound designer and multi-keyboardist who has built a strong reputation as a top contemporary solo instrumentalist for over twenty years. He has created numerous best-selling albums in the New Age, Smooth Jazz and the Classical/Crossover markets as well as acclaimed recordings for the CCM music scene.
Richard was a child prodigy who began studying classical piano at three with then retired Professor Thomas Giles (Dean Of The Music Department/University Of Utah) until he was twelve. He went on to study with the legendary Russian piano teacher Max Willerson and concert pianist Reid Nibley. "During that time, I realized I didn't really enjoy playing other people's music exactly as written and wanted to explore the world of jazz improvisation... and Surf Music!"

While attending middle school during the Sixties in Los Angeles, Souther began playing keyboards in LA Rock bands on the Sunset Strip and developed a love for a wide variety of different types of music. By the early Seventies he was becoming an in-demand session musician who played with numerous artists like Geronimo Black, Feather, Barry McGuire, Richie Furay, Pat and Debbie Boone, and Denice Williams. Souther also began developing his talents as a touring performer playing multi-keyboards with the now legendary vocal group, 2nd Chapter of Acts and renowned guitarist Phil Keaggy.

In 1981, a near fatal bout with botulism abruptly sidetracked Richard's musical career. During the four years it took him to recover, to the point where he could resume a somewhat normal life again, he acquired and mastered a new technology for that time period, using electronic music synthesizers and early computers linked together to create an electronic orchestral palette to compose with. Playing into the computer one note at a time and in spite of the chronic pain, Souther began creating his original and unique blend of instrumental music.

During the mid Eighties a new instrumental label, Meadowlark Records, signed him for his first solo albums, the electronic Heirborne and Innermission. The label also wanted to release his solo, acoustic piano recordings. To reduce confusion about dissimilar projects in the marketplace, the albums...Songs Unspoken and Second Story, were issued under his middle names- Douglas Trowbridge. Souther left the Meadowlark label and signed with MCA's Narada Label, releasing two mainstream New Age and World Music projects for them. Cross Currents, a light jazz ensemble project, featuring the talents of Alex Acuna, Abraham Laboriel, Chester Thompson and Kirk Whalum, released in 1989. Following up Richard co-produced Twelve Tribes, an exploration of African and Brazilian music, with renowned sound designer Eric Persing in 1990. Both albums received considerable airplay on the New Adult Contemporary (NAC) radio stations in the U.S. and continue to world-wide. Richard returned to the CCM market when he produced Vision Of The Valley for Don Francisco and won a Dove Award for producing the Twila Paris Sanctuary album.

In 1994 Richard received world wide recognition for is groundbreaking album Vision: The Music Of Hildegard von Bingen, which won the Billboard Classical/Crossover album of the year award. He then followed it up with Illumination: The Music Of Hildegard von Bingen "The Fire Of The Spirit" for Sony Classical.

In 2000 Richard began exploring the world of Electronica Music with the release of A Bilp On The Screen followed up by Radio Flyer and A Small Glitch In Time written using the pseudonym Under The Radar.

His music has been used in numerous films, TV and commercials around the world by companies like Warner Bros., Mercedes Benz, CBS Winter Olympics, PBS (Sesame Street) A&E, CNN, NBC Dateline: Secrets behind 'The Da Vinci Code', Renault, Fuji Film, Delta Airlines, Ford Motor Company, VH-1, MTV, The Bose Corporation, The Jim Henson Company and most recently in the 2004 HBO Golden Globe winning film Iron Jawed Angels. He has recently finished the score to a new independent film documentary: VISUAL FUTURIST: THE ART AND LIFE OF SYD MEAD chronicling the life of the famed "Blade Runner" artist/designer.


Reviews


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William Moreing

Very Cool
I've never been a huge fan of electronic music (my shortcoming), but anything Richard does affects me in a good way. His spirit shines through whatever he creates.

uberscooter

serious fun for the ears
When I want to work or just chill and keep the momentum going this is the album of choice. Love the layers of creative genius.

Valerie

Wonderful!
Music's everlasting gobstopper! A 15 course meal - at turns playful, contemplative, raw and achingly wistful. Souther is a master technician who never seems to let the wizadry of his craft overwhelm intention and substance - truly a find.

Highly recommended!

Carlos Zapater

Electronic sensitive
Modern electronic sound design, Highly recommended

Steve Paysinger

Limbic System
One of Richard's gifts is to create the catalyst through music for ones mind to experience many levels of reflective thought. It's as if the music can dissolve the barriers in order to see many pictures without having sight. Or... the ability to move freely without the confines of gravity. When I listen to this music it is only my mind that limits my enjoyment. I love it!

David A Fritz

Always impressive
Under the Radar continues to add new demensions to the world of Electronica. Richard Souther (AKA Under The Radar)creates delightful imagery while maintaining an impressive musical flow.

spectrum

Evocative Journey
Highly recommended! So much more musical and subtle than most electronica artists. Lots of interesting sound design, but with memorable melodies and tracks that really go somewhere. Brought up many fond memories of Souther's first Heirborne and Innermissions albums, but with a modern production sensibility.