Valery Lloyd-Watts | Homage to Suzuki

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Classical: Piano solo Classical: Bartok Moods: Type: Acoustic
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Homage to Suzuki

by Valery Lloyd-Watts

Valery Lloyd-Watts is world-renowned for her artistic and meticulous recordings of the original Suzuki piano repertoire. This recording includes all of the additions to the up-dated Suzuki books plus Beethoven's 32 Variations in C minor.
Genre: Classical: Piano solo
Release Date: 

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Tracks

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1. Hungarian Folk Song from for Children, Sz, 42
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0:52 $0.99
2. Children At Play from for Children, Sz. 42
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0:32 $0.99
3. Little Waltz, Op. 205, No. 10 from Little Flowers
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0:54 $0.99
4. Teasing Song from for Children, Sz. 42
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0:47 $0.99
5. Bagatelle, Op. 5 No. 9
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0:54 $0.99
6. About Foreign Lands and People, Op. 15 No. 1 from Scenes from Childhood
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1:56 $0.99
7. Waltz in A Minor, Op. Posthumous
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2:32 $0.99
8. Venetian Gondola Song, Op. 30, No. 6 from Songs Without Words Book 2
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3:02 $0.99
9. Invention No. 8 in F Major, BWV 779 from 15 Two-Part Inventions
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1:04 $0.99
10. Notturno, Op. 54, No. 4
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4:17 $0.99
11. Spanish Dance, No. 5 (Andaluza) from 12 Spanish Dances
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4:28 $0.99
12. O Polichinelo from A Prole Do Bebe, No. 1
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1:56 $0.99
13. Prelude in D Major, Book 1, No. 5, BWV 850
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1:40 $0.99
14. Fugue in D Major, Book 1, No. 5, BWV 850
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2:17 $0.99
15. Nocturne, No. 20, Op. Posthumous
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4:18 $0.99
16. La Fille aux Cheveux de Lin (The Girl With Flaxen Hair), L 117:8
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2:39 $0.99
17. Romanian Folk Dances, Sz. 56 - Joc Cu Bata (Stick Dance)
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1:11 $0.99
18. Romanian Folk Dances, Sz. 56 - Braul (Waistband Dance)
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0:33 $0.99
19. Romanian Folk Dances, Sz. 56 - Pe Loc (On the Spot)
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1:13 $0.99
20. Romanian Folk Dances, Sz. 56 - Buciumeana (Mourner's Dance)
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0:57 $0.99
21. Romanian Folk Dances, Sz. 56 - Poarga Romaneasca (Romanian Polka)
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0:38 $0.99
22. Romanian Folk Dances, Sz. 56 - Maruntelul (Lively Dance)
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1:10 $0.99
23. 32 Variations On an Original Theme in C Minor, WoO 80
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12:45 $0.99
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ABOUT THIS ALBUM


Album Notes
In the early 1960's Shinichi Suzuki's revolutionary method of teaching music (called Talent Education) gained recognition in North America and attracted both passionate admirers and detractors. Those who believed in his ideas are now gratified to see how his Mother Tongue Approach as altered, enriched and elevated the teaching of music worldwide.

My music partner Carole L. Bigler and I were on fire with the promise and joy of this radically different way of learning and applied it to our piano teaching. In 1978, w were asked to write our book Studying Suzuki Piano: More Than Music, published in Japan with a foreword by Dr. Suzuki. I was also invited to record the piano repertoire by the piano committee of the newly formed Suzuki Association of the Americas. The Book and recordings, now published by Alfred, are still widely used.

Recently, the Suzuki piano repertoire has been updated with new pieces which are included on this recording.

It is with great gratitude that I offer this recording to the memory of Shinichi Suzuki, as well as to all those who have contributed to the success of Talent Education worldwide.

Valery Lloyd-Watts
Kingston, Ontario
January 2013


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