William Kentner Anderson | Of Course

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Of Course

by William Kentner Anderson

The game is not over until all the open strings of the guitar sound at once, at the very end. I composed the first draft when I was a teenager, and the work's basic working principles did not change at all when I reworked the piece as an adult.
Genre: Classical: Contemporary
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1. Of Course
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Album Notes
Of Course plays with the situation that is a feature of all string instruments--the chromatic scale that the frets define (0,1,2,3,4,5, etc.) multiplied by 5, base 12 = the series of open strings on the guitar. Start with the 6th string E and call that 0. 0 X 5 = 0 (E) The next chromatic note, the note on the (6) string, first fret is 1 (F). 1 X 5 = 5 5 semitones above E is A, the 5th string. The note on the 2nd fret on the 6th string is F#. F# is 2, as E is 0. 2 X 5 = 10 10 is D, the 4th open string of the guitar. The 3rd fret on the 6th string is G. 3 X 5 = 15 In base 12, 15 is reduced to 3. The 3rd string of the guitar, the next up from the D string, is the G string. There comes some complications with the anomalous major third between the 3rd and 2nd strings.

There is a companion piece, *Coursing Again*, for two guitars, which is Of Course (the whole piece) X 5 base 12, and then reworked considerably. It has yet to be recorded, but will be out soon.

William Anderson has been heard on WNYC's Leonard Lopate Show, and was interviewed on NPR's All Things Considered, discussing an off-Broadway musical that he produced in the fall of 2012. Anderson performs at guitar festivals and contemporary music festivals in the US and abroad. In New York, he runs the Cygnus Ensemble, which he founded in 1985. He has worked with the Chamber Music Society of Lincoln Center, with Metropolitan Opera Chamber Players, under the legendary James Levine. For 10 years, Anderson was a member of the Theater Chamber Players, based in Washington DC.


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