Enter the Worship Circle | Third Circle

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United States - Colorado

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Rock: Roots Rock Folk: Power-folk Moods: Type: Acoustic
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Third Circle

by Enter the Worship Circle

A tribal acoustic recording weaving spiritual conversation with Middle Eastern and African hand drums, guitars and vocal harmonies that will appeal to lovers of roots, rock and world fusion.
Genre: Rock: Roots Rock
Release Date: 

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Tracks

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time
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1. I Don't Know
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4:10 $0.50
2. Wait On the Lord`
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4:18 $0.50
3. God Is Good
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2:32 $0.50
4. Everlasting Love
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3:28 $0.50
5. To You
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5:17 $0.50
6. Diddly
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1:23 $0.50
7. Dance, Dance
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3:23 $0.50
8. For My Ashes
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3:46 $0.50
9. Love Me Like That
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2:04 $0.50
10. I Love You
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4:31 $0.50
11. How You Forgive Me
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3:41 $0.50
12. You Are the One
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4:16 $0.50
13. Continue
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3:14 $0.50
14. Together
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5:23 $0.50
15. You Are My God
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3:18 $0.50
16. It's My Joy
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3:41 $0.50
17. The Passion of Your Heart
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1:46 $0.50
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ABOUT THIS ALBUM


Album Notes
NOTES
Enter the Worship Circle is a unique kind of worship album. While most such recordings contain covers of the worship standards, First Circle, and Second Circle, feature all original songs written by Ben and Robin Pasley, other Blue Renaissance Artists, members of the roots-rock band Waterdeep, and friends. What's more, the songs were recorded live, unplugged, and with no overdubs. The instrumentation is built on a foundation of acoustic guitars and the rhythms of hand drums. Enter the Worship Circle has a sound that is open and free form, beautiful as a well-laid plan, but spontaneous as a sincere declaration of love.

"With Enter the Worship Circle," explained Ben, "Robin and I wanted to give something back to music lovers and those people on a spiritual journey." To move to accomplish this was to print in the CD booklet suggestions about how to write your own worship songs. This is a deep-seated goal for Ben Pasley, and it has developed over years of experience. He began playing music as a teenager, and in college he joined a music team that performed in drug rehab centers, halfway houses, and detention centers in order to share their spiritual life with people who were desperate for some help. "We were in drug rehabs doing cover tunes from the Christian music industry," he says, "and it didn't take us long to figure out that we were going to have to develop our own musical language to make an impact."


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