Xavier Palacios | 15 Arie antiche (Parisotti Edition), Vol. 1 Accompaniments for Medium and High Voice with transpositions

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15 Arie Antiche (Parisotti Edition), Vol.1 Accompaniments for Medium and High Voice with Transpositions/Xavier Palacios (Karaoke/Instrumental).

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Classical: Vocal Music Classical: Arias Moods: Type: Vocal
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15 Arie antiche (Parisotti Edition), Vol. 1 Accompaniments for Medium and High Voice with transpositions

by Xavier Palacios

15 Arie antiche (Parisotti Edition), Vol. 1 Piano Accompaniments for Medium and High Voice with transpositions by Xavier Palacios offer high quality backing tracks for the classical singer to suit your voice perfectly.
Genre: Classical: Vocal Music
Release Date: 

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Tracks

Available as MP3, MP3 320, and FLAC files.

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  song title
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time
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1. Amarilli, Mia Bella, Med-High (Gm: original key)
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3:19 $0.99
2. Alma del core, High (A: original key)
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2:43 $0.99
3. Alma del core, Med-High (G)
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2:43 $0.99
4. Caro mio ben, Med-High (Eb: original key)
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2:18 $0.99
5. Caro mio ben, High (F)
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2:18 $0.99
6. Come raggio di sol, High (Gm: original key)
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2:40 $0.99
7. Come raggio di sol, Med-High (F#m)
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2:40 $0.99
8. Il mio ben quando verrà, Med-High (F: original key)
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5:50 $0.99
9. Gia il sole dal Gange, High (A: original key)
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2:13 $0.99
10. Gia il sole dal Gange, Med-High (Ab)
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2:13 $0.99
11. Lasciatemi morire, Med-High (Ebm)
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1:23 $0.99
12. Lasciatemi morire, High (Fm)
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1:23 $0.99
13. Nel cor più non mi sento, Med-High (F: original key)
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1:24 $0.99
14. Nel cor più non mi sento, High (G).
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1:24 $0.99
15. O cessate di piagarmi, Med-High (Gm)
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2:35 $0.99
16. O cessate di piagarmi, Medium (Fm)
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2:35 $0.99
17. O del mio dolce ardor, High (Gm: original key)
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3:31 $0.99
18. O del mio dolce ardor, Med-High (Fm)
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3:31 $0.99
19. O del mio dolce ardor, Medium (Em)
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3:31 $0.99
20. Sebben crudele, Med-High (Em: original key)
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2:40 $0.99
21. Se tu m'ami, Med-High (Fm: original key)
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2:35 $0.99
22. Se tu m'ami, High (Gm)
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2:35 $0.99
23. Vergin tutt' amor, High (Dm: original key)
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3:02 $0.99
24. Vergin tutt' amor, High (Em)
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3:02 $0.99
25. Vergin tutt' amor, Med-High (Cm)
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3:02 $0.99
26. Vergin tutt' amor, Medium (Bm)
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3:02 $0.99
27. Vittoria mio core, Medium (C: original key)
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2:23 $0.99
28. Vittoria mio core, Med-High (C#)
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2:23 $0.99
29. Tu lo sai, High (E: original key)
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2:24 $0.99
30. Tu lo sai, Med-High (Eb)
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2:24 $0.99
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ABOUT THIS ALBUM


Album Notes
You can use freely these piano accompaniments for either private or public rehearshal or concert performance (with the singer). You can use them for for radio broadcast if you mention that all accompaniments are by Xavier Palacios. For Tv broadcast you will need to ask a written permission to Xavier Palacios (The artist and Producer).
Xavier Palacios studied at the Ecole Normale de Musique de Paris de Paris with Antonio Ruiz Pipo, a pupil of Alfred Cortot, and Billy Eidi, a renowed accompanist of French song. He also studied Musical analysis with Ginette keller, a pupil of Nadia Boulanger. He has given many recitals in France and has been the assistant and accompanist of Laurence Russel Albert (Pushkin Prize, Metropolitan Opera) for a few years.

This first volume of 15 Arie antiche (Parisotti Edition), Accompaniments for Medium and High Voice with transpositions, contains 15 favorite Italian Arias piano accompaniments in the Parisotti Edition, with various transpositions to suit your voice perfectly, and to follow the evolution of your vocal range or needs. It has been carefully worked out. Particular care has been given to phrasing, breathing , as well as rendering the atmosphere of the song, allowing the singer to sing freely, but also putting him on "the right track" for phrasing, tempo and musical content. We also recommend that the singer rehearshes without the accompaniment as well. But these Arie antiche Vol. 1 backing tracks (or karaoke, a term that should not apply to the classical genre) will give him the necessary tools to give a consistent interpretation of these Arie Antiche, that he should be able to convey to another accompanist.

Vocal range : the keys used for the transpositions are determined by usage of renowned recording artists, and by usage of authoritative editions. The classification High-Medium-Low favoured by these editions varies sometimes : the key chosen for ,a transposition for, say, "Medium Voice" in a given edition can be different from the key in another "Medium Voice" edition. We try to provide as many transpositions as the authoritative Editions do.

We use 5 vocal ranges instead of 3 : High, Medium-High, Medium, Medium-Low, and Low.
The "Medium Low" and "Low" albums apply to "True low Voices" , Mezzos, Baritones, Contraltos and Bass-Baritones. The High, Medium-High and Medium apply to sopranos -From Coloratura to Dramatic Sopranos-, to light Mezzos (Mezzo Leggero), and from Tenors to Light Baritones. Our "Medium Voice " classification can sometimes suit young Baritones, or Young Mezzos,, and even Young Sopranos, they should in that case follow the advice of their teacher.

For Male Voices : High Voice : Top note(s) G4 or higher
Medium High : Top note(s) F#4
Medium : Top note(s) F4
Medium-Low : Top note(s) E4
Low : Top note(s) Eb4 or Lower.

For Female Voices : High Voice : Top note(s) G5 or higher
Medium High : Top note(s) F#5
Medium : Top note(s) F5
Medium-Low : Top note E5
Low : Top note(s) Eb5 or Lower.

Of course this classification applies to the notes found in the music. To secure singing these notes properly, the singer should be able to sing one tone or one tone and a half Higher, and one tone or one tone and a half lower for the lowest notes.

Last, but not least, Vocal range is only one aspect of Voice classification. Choose your repertoire following the "nature" of your Voice, or your "Voice type" if you like, and the advice of your teacher.


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