Xavier Palacios | Vaccai Practical Vocal Method Accompaniments for High Voice with transpositions

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Classical: Opera Classical: Arias Moods: Type: Vocal
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Vaccai Practical Vocal Method Accompaniments for High Voice with transpositions

by Xavier Palacios

Vaccai Practical Vocal Method Piano Accompaniments for High Voice by Xavier Palacios offer high quality backing tracks for the classical singer to suit your voice perfectly and to follow the evolution of your vocal range or needs.
Genre: Classical: Opera
Release Date: 

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Tracks

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1. Lesson I The Diatonic Scale High (D)
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1:08 $0.99
2. Lesson I The Diatonic Scale High (Eb)
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3. Intervals of the Third , High (G)
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0:49 $0.99
4. Lesson II Intervals of the Fourth, High (Ab)
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5. Lesson II Intervals of the Fourth, High (Bb)
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6. Intervals of the Fifth, High (Eb)
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7. Intervals of the Fifth, High (F)
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8. Lesson III Intervals of the Sixth, High (C)
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9. Lesson IV Intervals of the Seventh, High (D)
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10. Intervals of the Octave, High (D)
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11. Lesson V Half tones or Semitones, High (G)
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1:20 $0.99
12. Syncopation, High (Bb)
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0:37 $0.99
13. Lesson VII Runs and Scale Passages, Andantino, High (A)
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0:33 $0.99
14. Lesson VII Runs and Scale Passages, Allegretto, High (A)
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0:28 $0.99
15. Lesson VII Runs and Scale Passages, Allegro, High (A)
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0:27 $0.99
16. Lesson VIII The appogiatura taken from above or below, High (A)
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1:29 $0.99
17. The Accaciatura, High (F)
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18. Lesson IX The Mordent, High (Bb)
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19. Different ways of executing the Mordent Slow, High (G)
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1:39 $0.99
20. Different ways of executing the Mordent, High (G)
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1:31 $0.99
21. Lesson X Introductory to the Grupetto or Turn, Andantino, High (F)
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0:47 $0.99
22. Lesson X Introductory to the Grupetto or Turn, Allegretto, High (F)
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0:43 $0.99
23. Lesson X Introductory to the Grupetto or Turn, Allegro,High (F)
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24. The Grupetto or Turn, High (F)
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25. Lesson XI Introduction to the Trill or Shake, slower, High (G)
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1:00 $0.99
26. Lesson XI Introduction to the Trill or Shake, High (G)
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0:55 $0.99
27. Lesson XII runs and Scale Passages, Slower, High (D)
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0:51 $0.99
28. Lesson XII runs and Scale Passages, High (D)
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0:48 $0.99
29. Lesson XII runs and Scale Passages, Slower, High (Eb)
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0:51 $0.99
30. Lesson XII runs and Scale Passages, High (Eb)
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0:48 $0.99
31. Portamento, High (Bb)
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2:49 $0.99
32. Portamento, High (B)
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33. Portamento The second way, High (A)
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34. Lesson XIV The Recitativo, High (D)
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35. Lesson XV Recapitulation, High (Ab)
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36. Lesson XV Recapitulation, High (A)
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ABOUT THIS ALBUM


Album Notes
You can use freely these accompaniments for either private or public rehearshal or concert performance (with the singer). You can use them for radio broadcast if you mention that all accompaniments are by Xavier Palacios. For Tv broadcast you will need to ask a written permission to Xavier Palacios (The artist and Producer).
Xavier Palacios studied at the Ecole Normale de Musique de Paris de Paris with Antonio Ruiz Pipo, a pupil of Alfred Cortot, and Billy Eidi, a renowed accompanist of French song. He also studied Musical analysis with Ginette keller, a pupil of Nadia Boulanger. He has given many recitals in France and has been the assistant and accompanist of Laurence Russel Albert (Pushkin Prize, Metropolitan Opera) for a few years.

This volume contains the Piano Accompaniments for a transposition of the Original Vaccai Practical Vocal Method, which is now in the Public Domain, in the High Vocal range. It is perfectly suitable for Sopranos, Tenors, and some tracks can also suit Mezzo-Sopranos and Baritones. This volume is part of a complete Edition of Vaccai Practical Method Accompaniments, matching the Vocal Range and key of almost every authoritative Edition.

We prefer to classify here the Vocal range in three main sections: High, Medium and Low, instead of : Soprano, Mezzo, Baritone, etc...It seems that Vaccai was concerned, when adopting the "Medium range" (not higher than F5 for female voices, F4 for male voices), with securing the "Mixed Voice" ("Voce Mista"), and the subsequent use of the precise amount of breath and energy (going from a note to another) to produce a proper, "Bellinian", legato. Of course, it is very useful to transpose this "Practical Method" in the High range for Sopranos and Tenors, and in the Low range for Mezzos, Bass Baritones, and Contraltos.
Some "Mezzo Editions" in Italy use the "Soprano" key chart adopted by other Western Editions. Some "High Voice" Editions don't adopt exactly the same key chart. This Edition recoups all keys used in the authoritative "High Voice" Editions. Last, but not least, Vocal range is only one aspect of Voice classification. Choose your repertoire following the "nature" of your Voice, or your "Voice type" if you like, and the advice of your teacher.

Here is the track list with the corresponding text openings :

01-02 Manca sollecita (The Diatonic Scale)
03 Semplicetta tortorella (Intervals of the Third)
04-05 Lascia il Lido (Intervals of the Fourth)
06-07 Avezzo a vivere (Intervals of the fifth)
08 Bella prova e d'alma forte (Intervals of the Sixth)
09 Fra l’ombre un lampo solo (Intervals of the Seventh)
10 Quell’onda che ruina (Intervals of the Octave)
11 Delira dubbiosa (Half tones or semitones)
12 Nel contrasto amor s’accende (syncopation)
13-15 Come il candore (Runs and Scale Passages)
16 Senza l’amabile Dio di Citera (The Appogiatura, from above or below)
17 Benchè di senso privo (The accaciatura)
18 La Gioja verace (The Mordent)
19-20 L’augeletto in lacci stretto (different ways of executing the Mordent)
21-23 Quando accende un nobil petto (Introductory to the Grupetto or Turn)
24 Piu non si trovano (The Grupetto or Turn)
25-26 Se povero il ruscello (introduction to the Trill or Shake)
27-30 Siam navi all’onde (Runs and Scale passages)
31-32 Vorrei spiegar l’affanno (Portamento)
33 O placido il mare (Portamento, The second way)
34 La patria e un tutto (Recitativo)
35-36 A la stagione de’ fiori (Recapitulation)


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